Rose Evans Audio

I began my journey into the music industry as a pop producer (indie pop, synth-pop, pop-rock), then gaining experience producing future bass, house, EDM, and R&B. I’ve been making music for the past 6 years, learning how to produce from electronic production courses at educational institutions, using online resources, but most importantly, experimentation and collaboration. I’m very confident with Logic, have an understanding of Pro Tools, and use a vast array of VST/AU plugins in my projects (Serum, Phaseplant, Soundtoys, Native Instruments, etc.). I record guitar, bass, hardware synths, and vocals in my home studio and use a MIDI controller to program drums. I’m comfortable in studio environments and get excited to be behind the mixing desk, setting up microphones, and re-amping synths and samples I’ve captured. I’m also an avid DJ involved with a women/non-binary-focused collective and have previously performed in bands as a guitarist and a drummer.

I participated in the B-side Project Student Remix competition during my first year at music technology college, transforming a liquid DnB track “A Hundred Oceans” by Etherwood into a video-game-inspired, bit-crushed future bass track. I attended the final at Tileyard Studios and was presented with one of the awards, “Most Imaginative Remix”. This led to being discovered by a manager after the B-side Project and I worked on commissioned remixes for ‘Flawless Soundz’ (formerly ‘Lutenants’) a London-based duo. I turned one track into a tropical house track, and the other into an R&B, Khalid-style track, which was released as their album interlude.